ARTICLES AND PORTFOLIOS CV28

EDITORIAL - Photography As an Eclectic Specificity

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By Marcel Blouin

Over the past 10 or 15 years, the medium of photography has found its way into the fields and definition of visual arts, contemporary arts and post-modernism. Not only did photography find its way, but it acquired both a privileged and considerable place in contemporary artistic production.

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Linda Dawn Hammond: All Things Considered

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Photos n&b: deux vues de corps d'hommes vêtus de cuir

By Robert Legendre

Linda Dawn Hammond's work - in keeping with the artist herself - is clearly unusual. At times, her photography and the manner in which it is articulated appear to take origin as much in a cry of anxiety as in a state of surprise. Whatever the nature of the subject she records, Hammond denies all pretense of objectivity.

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PORTFOLIO - Linda Dawn Hammond

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Photos n&b: trois vues du corps d'un enfant

 

 

 

 

 

 

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Champs / la mer, L'anonymat de l'âme

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Photo n&b: vue en buste d'un homme dont la main cache le visage

By Lisanne Nadeau

L'anonymat de l'âme1

Through a gaze both anxious and passionate, Richard Baillargeon seeks temporary shelter. He explores territories of the individual, which he describes as "the universe of what is near."

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PORTFOLIO - Richard Baillargeon, Champs / la mer

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Photo n&b: échelle contre un arbre

 

 

 

 

 

 

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William Eakin: Monuments of Derision

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Photo n&b: composition avec gorille jouet et mobilier miniature

By Claire Gravel

William Eakin is interested in what he refers to as cultural shards, or objects that inform of a popular culture whose aesthetic values are looked down upon by people with "taste."

 

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PORTFOLIO - William Eakin

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Photo n&b: composition avec soulier, table miniature et pomme de pin

 

 

 

 

 

 

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