ARTICLES AND PORTFOLIOS CV34

EDITORIAL - Each Person’s Fate ...

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By Robert Legendre

“Each person’s fate is linked to the source of his or her dignity.”1

 

And at the moment, CVphoto’s dignity is to survive with pleasure. That is why we are starting, with this issue, to publish texts the content of which will no doubt interest all of our readers.

 

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POINT DE VUE - Le silence des agneaux

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This article was originally published only in French. No translation is available.

Par Sylvain Campeau

Le 23 septembre dernier, Vox Populi, en collaboration avec le Musée d’art contemporain, a organisé un colloque intitulé La présence de la photographie dans les collections des musées. Spécificité d’un médium… d’une culture.

 

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PORTFOLIO - Franck Michel, Sansui

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Photo n&b: jardin japonais

 

 

 

 

 

 

 

 

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Sansui – of Mountains and Water

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Photo n&b: jardin japonaisBy Suzie Larivé

The garden is an image of the world

San for the mountain. Sui for water.

The sand becomes water. The stone becomes a mountain.

 

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PORTFOLIO - Ruth Kaplan, Bathing Work

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Photo n&b: homme dans une piscine thermale

 

 

 

 

 

 

 

 

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Looks and Murmurs

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Photo n&b: femme entrant ou sortant du bainBy Robert Legendre

To look directly at Ruth Kaplan’s photographs, one must go beyond the “at first glance” voyeurism induced by curiosity. Instead, one must look closely at these works, which portray a world of tranquillity and peace, imbued with tender sensuality, where time moves slowly.

 

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PORTFOLIO - Daniel Kieffer, A derivà

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Photo n&b: l'arc de Triomphe vu de l'intérieur d'un autocar

 

 

 

 

 

 

 

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A derivà. Au gré de l’événement, sous la gouverne du sensible

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This article was originally published only in French. No translation is available. – Read the Abstract

Photo n&b: vue d'un peintre en bâtiment dont la tête est hors cadrePar Charles Perraton

Les corps ne se définissent pas par leur genre ou leur espèce, par leurs organes et leurs fonctions, mais par ce qu'ils peuvent, par les affects dont ils sont capables, en passion comme en action.

Gilles Deleuze

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