ARTICLES AND PORTFOLIOS CV36
EDITORIAL - The Odour of the Planet
By Franck Michel
Not one day passes that the media don’t mention the issues of globalization, internationalization, and disappearing borders. Our planet is, after all, becoming quite small. Starting with this issue, CVphoto has decided to join in the party. From now on, this magazine will no longer deal exclusively with photography from Quebec and Canada: we are taking on the international scene. Thus, you may occasionally find in these pages the work of a foreign photographer that we found particularly interesting.
POINT DE VUE - Les fins de l'ontologie photographique
This article was originally published only in French. No translation is available.
Au début des années quatre-vingt, nombre d’auteurs se sont employés à définir l’« être » de la photographie, à déterminer ce qui la singularise, comme si l’identité de l’image photographique était suspectée des pires compromissions.
PORTFOLIO - Arnaud Claas
This article was originally published only in French. No translation is available.
La photographie que pratique Arnaud Claass est un art du peu. Il n’attend rien des événements, n’a pas de sujet d’élection durable, semble pouvoir faire image de n’importe quoi. Mais, évidemment, pas n’importe comment.
L’art aporétique d’Arnaud Claass
This article was originally published only in French. No translation is available.
La photographie que pratique Arnaud Claass est un art du peu. Il n’attend rien des événements, n’a pas de sujet d’élection durable, semble pouvoir faire image de n’importe quoi. Mais, évidemment, pas n’importe comment.
PORTFOLIO - Katherine Knight
Looking down I saw that my left trouser leg was burned off. I pulled the rip cord of my parachute and checked my descent with a jerk. About twenty feet above the water I attempted to undo my parachute, failed and flopped into the sea with it billowing around me.
I became unconscious
Looking down I saw that my left trouser leg was burned off. I pulled the rip cord of my parachute and checked my descent with a jerk. About twenty feet above the water I attempted to undo my parachute, failed and flopped into the sea with it billowing around me.
PORTFOLIO - Serge Clément
Clément’s technique as an artist does not differ from his technique as a reporter-photographer, which he is as well. But it is absolutely enough to “bring the earth closer and establish a world,” to take up Martin Heidegger’s fundamental thought.
De l’apparition à la présence
By Jean-Claude Lemagny
Through the current trends in creative photography run two opposing movements. The first is a photography turned upon itself, seeking a deeper examination of its own nature and an exploration of the extent of its expressive possibilities.
