ARTICLES AND PORTFOLIOS CV38
EDITORIAL - CV38
By Franck Michel
For CVphoto, 1997 promises to be a very exciting year. With promotional and subscription campaigns, partnerships, launches, and lectures, we are putting forth our energy and openness in an effort to increase our visibility in Quebec, Canada, and abroad.
POINT DE VUE - Être dans l’image
This article was originally published only in French. No translation is available.
L’idée qu’une photographie ne représente pas seulement un fragment du monde, mais qu’elle propose une signification du monde, est devenue une évidence. La photographie, aujourd’hui, n’est plus considérée comme un pur reflet du monde, mais comme une forme de production symbolique, au même titre que la peinture, par exemple.
PORTFOLIO - Diana Thorneycroft
There are girls and women who don’t want to believe everything that is said about them, or they would have to dismantle all the legends! This ontological need leads to an often terrifying plunge into the unconscious – the path Diana Thorneycroft takes in her search for her identity.
Diane Thorneycroft
There are girls and women who don’t want to believe everything that is said about them, or they would have to dismantle all the legends! This ontological need leads to an often terrifying plunge into the unconscious – the path Diana Thorneycroft takes in her search for her identity.
PORTFOLIO - Anne Arden McDonald
To escape the unbearable feeling of powerlessness to which her human limitations confine her, Anne Arden McDonald exceeds them. She imagines herself free to float and breathe in the water and to fly in the air.
Black-and-White Dreams
To escape the unbearable feeling of powerlessness to which her human limitations confine her, Anne Arden McDonald exceeds them. She imagines herself free to float and breathe in the water and to fly in the air.
PORTFOLIO - Anne-Marie Zeppetelli
The self-portrait is the “secret scheme of all autobiography.” Here, in fact, the story of events experienced by the narrator is less important than is the portrait she offers of herself in action.
Bodies and Traces
The self-portrait is the “secret scheme of all autobiography.” Here, in fact, the story of events experienced by the narrator is less important than is the portrait she offers of herself in action.
