ARTICLES AND PORTFOLIOS CV41

EDITORIAL - CV41

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By Franck Michel

As I was writing this editorial, I learned that Claude Thibeault, curator of the photography collection at the Musée du Québec, has lost his job. Four years ago, the Musée du Québec set up a collection dedicated exclusively to photography and appointed Mr. Thibeault to run it, showing its desire to make photography an important aspect of its collections.

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POINT DE VUE - On the Dissipation of the Authentic

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By Francine Dagenais

Authenticity as it relates to representation has always been associated with the concept of essence circumscribed, at least in part, by its opposite, non-essence. We have established, quite logically, marked differentiations between essence, purity, truth, and uniqueness, on the one hand, and fusion, hybridity, compromise, and multiplicity, on the other.

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PORTFOLIO - Georges Rousse

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Georges Rousse: dévoilement

This article was originally published only in French. No translation is available. – Read the Summary

Par Marie-Josée Jean

Depuis près de quinze ans, Georges Rousse investit des sites urbains désaffectés, voués à une démolition imminente, dans lesquels il réalise des anamorphoses en vue de leur dénouement photographique.

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PORTFOLIO - Jocelyne Alloucherie

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Photo n&b: silhouette sombre d'un sommet d'édifice dentelé contre un ciel pur

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Jocelyne Alloucherie: Les Occidents

Photo n&b: silhouette noire d'une surface non identifiée contre un ciel uniformément grisBy Gary Michael Dault

She wanders the streets of twilight cities, Jocelyne Alloucherie tells me, Montreal and her native Quebec City, yes, and also the early-evening cities of Europe.

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PORTFOLIO - Eugénie Schinkle

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Photomontage n&b: fissure dans un mur de briques fictif

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Eugénie Schinkle

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This article was originally published only in French. No translation is available.  – Read the Summary

Photomontage n&b: assemblage de mosaïques d'images formant une vue d'un monticulePar Céline Mayrand

D’une sensibilité exacerbée, à fleur de peau, Eugénie Schinkle nous entraîne dans le tourbillon d’une énergie fébrile. Aussi, nous amène-t-elle à concevoir l’acte photographique comme une forme de rituel, comme un acte répondant symboliquement à un plaisir sensuel.

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