ARTICLES AND PORTFOLIOS CV43

EDITORIAL - CV43

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By Franck Michel

During a recent trip abroad, I had an opportunity to meet with a number of photography specialists, including publishers from various countries. These meetings enabled me to take stock of the state of contemporary-photography magazines throughout the world.

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POINT DE VUE - Que vaut la photographie contemporaine ?

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This article was originally published only in French. No translation is available.


Photo couleur: vue d'un panneau signalétique annonçant Québec dans un autre site géographiquePar Éric Devlin

Les artistes contemporains qui utilisent la photographie comme mode d’expression se plaignent souvent de la faiblesse du marché.

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PORTFOLIO - Eileen Leier

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Photo n&b: vue rapprochée et de biais d'une suite de vieilles façades de maisons en bois

 

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Sur la piste de la ruée vers l’or

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This article was originally published only in French. No translation is available. – Read the Summary

Photo n&b: trois robes à crinolines du 19e siècle montées sur des supports dans un paysagePar Sylvain Campeau

On voit, depuis quelque temps déjà, de plus en plus d’artistes-photographes s’essayer à une forme de littéralisation de la trace et du tact. Des images se  présentent en effet comme des vestiges d’un toucher, d’une proximité, d’une coprésence.

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PORTFOLIO - Marlene Creates

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Photo couleur: panneau signalétique de limites urbaines posé dans un champ

 

 

 

 

 

 

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Marlene Creates

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Photo couleur: panneau signalant l'entrée dans la ville de Québec dans une autre région de la provinceBy Robin Metcalfe

The photography-based art of Marlene Creates has long dealt with the relationship between marking and landscape. Her photographs function as a means of documenting that relationship and posing critical questions about how our perception of the land is constructed through language.

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PORTFOLIO - Mark Ruwedel

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Photo n&b: sommet d'un canyon dans le désert Mojave en Californie

 

 

 

 

 

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Pictures of Hell

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Photo n&b: passage dans un canyonBy Mark Ruwedel

“Once, from eastern ocean to western ocean, the land stretched away without names. Nameless headlands split the surf; nameless lakes reflected nameless mountains; and nameless rivers flowed through nameless valleys into nameless bays.”

George R. Stewart, Names on the Land1

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