Ciel Variable
Tag: Documentary
Paul-Antoine Pichard, Trash Mines

By John Grande

Galerie d’art du Centre Culturel

Université de Sherbrooke

January 12 to February 22, 2009

PORTFOLIO - Greg Girard : Phantom Shanghai
Also see the linked essay

Until recently, a former resident of Shanghai from the 1930s or 1940s, returning to the city decades later, would have a good chance of being able to locate his or her old home since urban development for profit was suspended for nearly a half century.

Accelerated Ruins
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By Amish Morrell

Greg Girard ’s recent monograph Phantom Shanghai describes the urban vestiges of communist-era Shanghai as they are swept away in the city’s recent wave of economic development.

PORTFOLIO - Benoît Aquin : Chinese “Dust Bowl”
Also see the linked essay

In November 2008, Benoit Aquin won the prestigious Prix Pictet for his series on desertification and dust storms in China. One of the greatest environmental disasters of our time, the Chinese “Dust Bowl” is probably the largest conversion of productive land into sand anywhere in the world.

Fire & Ice

 

Also see the artist's portfolio

By William A. Ewing

For twenty years, Benoît Aquin has travelled widely, armed with a global vision and the determination to construct a global project. From initial forays into the Caribbean in the late 1980s

By Jacques Doyon

In this issue, we bring together images testifying to the impacts of accelerated modernization in today’s China. The photographers who made them have varying degrees of professional experience linked to commissions for the media, corporations, or advertising.

Signals in the Dark,  La pratique artistique à l’ombre de la guerre

This article was originally published only in French. No translation is available.

Par Elitza Dulguerova

Galerie Leonard et Bina Ellen, Université Concordia

29 août au 11 octobre 2008

Commissaire : Séamus Kealy (Blackwood Gallery, Université de Toronto / Mississauga)

Also see the linked essay

NO IMAGE AVAILABLE

The Archive Peter Piller contains tens of thousands of press images that Piller started to collect while employed at an advertising agency. The numbing task of endlessly scanning publications day in and day out became engaging when Piller started to clip and organize images from the newspapers.

PORTFOLIO - W. M. Hunt, Collection Dancing Bear, Vernacular images
Also see the linked essay

For thirty years, W. H. Hunt has been building a photography collection that brings together 1,200 works marked by the absence of sight in the photographed subjects. Composed of classical and contemporary works by renowned artists,

Hide and seek in a photograph collection
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By Maria-Antonella Pelizzari

W. M. Hunt’s photograph collection Collection Dancing Bear whispers some secrets about photography. It is full of mystery, chaos, darkness, and excitement. It is unpredictable. It is creepy. It is provocative.

PORTFOLIO - Zoe Leonard, Analogue
Also see the linked essay

In her most recent series of photographic works, Zoe Leonard focuses her square viewfinder on small shops and businesses on three continents. This series, titled Analogue (1997–2007), documents discount stores, repair shops, second-hand stores, restaurants, and flea markets that are separated by thousands of miles.

Zoe Leonard, Objects and merchandise
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By Petra Halkes

Using the unflagging documentary power of photography, Zoe Leonard lends us her eyes and shows hundreds of small business operations – discount stores, repair shops, restaurants, and flea markets – and the everyday objects associated with them.

PORTFOLIO - Robert Walker, Mediascapes: New York, Montreal, Warsaw
Also see the linked essay

In today’s world, the blurring between the urban landscape and the mediascape increasingly typifies our experience of our environment. Robert Walker’s body of work illustrates this blurring in a remarkable manner.

PORTFOLIO - Fred Herzog, The City’s Fabric
Also see the linked essay

For more than fifty years, Fred Herzog has roamed the streets of Vancouver. His camera dwells on the raw fabric of the city: second-hand stores, restaurants, storefront windows, barbershops, and vacant lots, and the people using those spaces.

Free Observer
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By Helga Pakasaar

“When you have seen the city to a point when you think you have done it all, the horizon will suddenly sustain a crack and a new cycle of hitherto unseen phenomena will begin to form shadows on your film.” – Fred Herzog

Mercantile Labyrinths
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By Pierre Dessureault

Robert Walker Robert Walker turned to photography in 1975, after detours into abstract painting and conceptual art. Imagery was present in his conceptual production in the form of quasi-generic,

Le World Press Photo ou le photojournalisme au Salon

This article was originally published only in French. No translation is available. –Read the Abstract

 

Par Vincent Lavoie

Le World Press Photo of the Year est décerné annuellement à l’auteur de l’image la plus exemplaire d’un fait d’actualité récent. Créé en 1955 à l’occasion de la célébration du 25e anniversaire du syndicat des photographes néerlandais,

 
 
 
 
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