 This article was originally published only in French. No translation is available. Voir aussi l'article reliéDepuis 1995, le photographe américain Gregory Crewdson a créé une œuvre, en six séries seulement, considérée comme très significative. Ses images constituent de grands tableaux mettant en scène les frayeurs et les angoisses des classes moyennes des banlieues américaines.  This article was originally published only in French. No translation is available. –Read the Abstract Voir aussi le portfolio de l'artisteLes qualificatifs accolés au travail de Gregory Crewdson ne manquent pas : énigmatique, inquiétant, « lynchien » et sa rétrospective en 70 images au Fotomuseum à Winterthur invite à en créer d’autres.  Michael Flomen’s works encompass an abstract, oneiric space that we cannot easily reference, for it is openly ambiguous, hovering somewhere between the dream and the waking moment.
 Seeing light is a metaphor for seeing the invisible in the visible, for detecting the fragile imaginal garment that holds our planet and all existence together. Once we have learned to see light, surely everything else will follow. —Arthur Zajonc1
 This article was originally published only in French. No translation is available. Voir aussi l'article reliéMarie-Jeanne Musiol propose un nouveau volet de sa recherche visant à enregistrer l’énergie de la matière par le biais de l’électrophotographie (photographie Kirlian). Prélèvements constitue une plongée dans les champs énergétiques des feuilles de la série Corps de lumière.
 This article was originally published only in French. No translation is available. – Read the Abstract Voir aussi le portfolio de l'artisteC’est une évidence de dire que la lumière est objet de fascination pour les photographes. Elle est leur matière première, ce par quoi tout finit par être révélé et, finalement, visible. Elle est ce par quoi le visible, tout visible, est possible. Elle est donc condition première.
 This article was originally published only in French. No translation is available. Voir aussi l'article reliéTout l’œuvre de Paul Lacroix est marqué d’une fascination pour l’inscription de la surface du papier. Du dessin au photogramme, c’est à une écriture d’une cohérence extrême qu’il nous convie.
 This article was originally published only in French. No translation is available. – Read the Abstract Voir aussi le portfolio de l'artiste[…]la photographie n’est pas affaire seulement de cadrage, ni de visée, et moins encore d’ouverture du diaphragme ou de durée d’exposition, mais de profondeur de temps (au sens où l’on parle de profondeur de champ). — Hubert Damisch, La dénivelée
 . . . a late-summer bounty of natural and unnatural growth, the cultivated and the uncontrollable. For while this garden has its real-world aspect and can be found on a map, it serves for Campeau as the foliage in a narrative tour of an interior landscape, described in muted speech and in surroundings of symbolic figuration .
 This article was originally published only in French. No translation is available. – Read the Summary Voir aussi le portfolio de l'artiste«La vision […] c’est le moyen qui m’est donné d’être absent de moi-même, d’assister du dedans à la fission de l’être, au terme de laquelle seulement je me ferme sur moi.»1
 She wanders the streets of twilight cities, Jocelyne Alloucherie tells me, Montreal and her native Quebec City, yes, and also the early-evening cities of Europe.  Alain Laframboise’s photographic stillevens are imbued with the specific rhetoric of the hyper-codified genre that is still-life: the deliberate placement of inanimate and enigmatic objects; directional, dramatic, theatrical illumination (chiaroscuro);  For me, there is only one criterion for telling if a photograph is good: if it is unforgettable. Brassaï  There are girls and women who don’t want to believe everything that is said about them, or they would have to dismantle all the legends! This ontological need leads to an often terrifying plunge into the unconscious – the path Diana Thorneycroft takes in her search for her identity.  There are girls and women who don’t want to believe everything that is said about them, or they would have to dismantle all the legends! This ontological need leads to an often terrifying plunge into the unconscious – the path Diana Thorneycroft takes in her search for her identity.  To escape the unbearable feeling of powerlessness to which her human limitations confine her, Anne Arden McDonald exceeds them. She imagines herself free to float and breathe in the water and to fly in the air. 
To escape the unbearable feeling of powerlessness to which her human limitations confine her, Anne Arden McDonald exceeds them. She imagines herself free to float and breathe in the water and to fly in the air. |
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