ARTICLES ET PORTFOLIOS CV78

EDITORIAL - A Few Case Studies

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By Jacques Doyon

Photography is becoming an increasingly important component of private collections. Recognition of the wealth and diversity of the photographic tradition, as well as a significant rise in the value of photographs on the art market, have accompanied this evolution.

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PORTFOLIO - Ydessa Hendeles, Collector and curator

Photo couleur: vue d'une portion de l'exposition de la collecton de photos anciennes d'Ydessa Hendeles à Munich, en 2002 The singularity of collections exists at the meeting point of the artists’ sensitivities and the collector’s philosophy. In the case of Ydessa Hendeles’s collection, this marriage of viewpoints results in a rich exploration of the pathologies, contradictions, and anxieties of contemporary Western societies.

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Archiving Contemporary Anxieties

Color photo of a showcase presenting an old photo album, a book on zeppelin and a photo of the airship

By John Bentley MAYS

Toronto collector Ydessa Hendeles is no ordinary gatherer of photographs. Instead of following the usual practice of connoisseurs – buying only rare images that show artists at the top of their technical game –

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PORTFOLIO - W. M. Hunt, Collection Dancing Bear, Vernacular images

Photo n&b ancienne: groupe d'hommes et de femmes vus de dos et penchés vers l'avant dans un site naturel

For thirty years, W. H. Hunt has been building a photography collection that brings together 1,200 works marked by the absence of sight in the photographed subjects. Composed of classical and contemporary works by renowned artists,

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Hide and seek in a photograph collection

Old black and white photo, a snapshot of a blurred face swimmer sitting on a beach

By Maria-Antonella Pelizzari

W. M. Hunt’s photograph collection Collection Dancing Bear whispers some secrets about photography. It is full of mystery, chaos, darkness, and excitement. It is unpredictable. It is creepy. It is provocative.

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PORTFOLIO - Lazare, Portraits et paysages : la collection Lazare

Following a first purchase, a work by Julia Margaret Cameron (United Kingdom, nineteenth century), the Lazare family has moulded the photographic content of it’s collection over the past twenty-five years to form what is a mainly contemporary ensemble of emotionally rich portraits and nostalgic landscapes.

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Singular Introspections

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Black and white photo showing a close-up of a young woman with long hair

By René Viau

With photographic portraits and landscapes, Jack Lazare, senior vice-president of Vision 2000, has made the walls of the travel agency group’s offices in downtown Montreal an expression of his tastes and sensibilities.

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Montreal Collects, Contemporary Photography: The LaRochelle and Taillefer collections

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Photo couleur : oeuvres photographiques contemporaines accrochées dans un corridor

By James Campbell

Interest in contemporary photography has reached a fever pitch. In 2006, at Sotheby’s in New York, a huge colour print by Andreas Gursky (dating from 1999) went on the block and sold for $2,256,000. Six months earlier, Richard Prince’s seminal work Untitled (Cowboy),

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Twenty Years of Ciel Variable – Part Two

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Photo n&b: double page du numéro 11 de Ciel variableTo complement the first part of our look back at the first twenty years of the magazine, published in our last issue, we want here to emphasize two relatively obscure aspects of our history.

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VOICES - From One Image to the Next: A Conversation with Harun Farocki

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Photo couleur: gros plan sur le profil de l'artiste

By André Habib and Pavel Pavlov

Montreal - October 20, 2007

The video installation Deep Play, discussed here, will be presented at the DHC/ART Foundation for Contemporary Art in Montreal from February 21 to May 25, 2008.

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