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By Robert Legendre “Each person’s fate is linked to the source of his or her dignity.”1
And at the moment, CVphoto’s dignity is to survive with pleasure. That is why we are starting, with this issue, to publish texts the content of which will no doubt interest all of our readers.
This article was originally published only in French. No translation is available. Par Sylvain Campeau Le 23 septembre dernier, Vox Populi, en collaboration avec le Musée d’art contemporain, a organisé un colloque intitulé La présence de la photographie dans les collections des musées. Spécificité d’un médium… d’une culture.
Voir aussi le portfolio de l'artiste
By Suzie Larivé The garden is an image of the world San for the mountain. Sui for water. The sand becomes water. The stone becomes a mountain.
Also see the artist's portfolio
By Robert Legendre To look directly at Ruth Kaplan’s photographs, one must go beyond the “at first glance” voyeurism induced by curiosity. Instead, one must look closely at these works, which portray a world of tranquillity and peace, imbued with tender sensuality, where time moves slowly.
This article was originally published only in French. No translation is available. – Read the Abstract Voir aussi le portfolio de l'artisteLes corps ne se définissent pas par leur genre ou leur espèce, par leurs organes et leurs fonctions, mais par ce qu'ils peuvent, par les affects dont ils sont capables, en passion comme en action. Gilles Deleuze By John Zeppetelli ISBBN 2 908257 17 3. Published on the occasion of Steven Pippin’s exhibition Les Coopérateurs at F.R.A.C. Limousin 1995 |
